Your brain can’t tell the difference between a real performance and an imagined one. You can use this to your advantage by doing mental run-throughs of your concert or audition repertoire and getting your subconscious used to performance situations before ever stepping out on stage.
Decide what you’re going to run through (a segment, whole movement, or the whole performance), and sit comfortably in a quiet space without your instrument.
Close your eyes and begin to imagine the performance venue (if you’ve never played there before, see if you can get a picture).
Try and picture every detail:
- How light/dark is it?
- How big is the space?
- Where are you on stage?
- How many people are there?
- Can you see them?
- What are you wearing?
- Can you feel your clothes?
- Do you feel warm or cold?
- How does your instrument feel in your hands?
Play through what you’ve chosen in your head as if it was the ideal concert.
- Hear your incredible sound and feel what it’s like to make it.
- “Play” each phrase as you’ve imagined and practised it.
- Keep in mind all the musical aspects of your "performance": phrasing, colours, tempo, timing, etc.
Notice how you feel after the “performance” and how your body has reacted to the practice. For best results, start this practice at least 2 weeks before a performance, but don't overdo it as this is very mentally tiring!
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